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Gibson acoustics-
NB - Due to changes in Gibson's European distribution we will not be
getting any more NEW Gibson, Epiphone or Dobro guitars for the
foreseeable future. We will however be trying to get more second
hand and vintage stock so keep checking back.
Handbuilt
in Bozeman, Montana. Experience some of the finest sounding acoustic
guitars it'll be your pleasure to play and hear. We also do
Gibson electrics and semis, have a look at them here.
Please
contact us for a price - 0161 834 3281 ext. 606 or email.
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Instruments
currently in stock:
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 Gibson
J-45 c1962
A shining
example of one of Gibson’s best-known guitars from the
closing days of their classic era. By 1962 the dark sunburst
had been replaced by a vivid cherry colour previously seen on
the legendary sunburst Les Pauls, and the guitar bears the
larger 60s style pointy pick guard. The construction is still
nice and light with tall, narrow bracing. We also have in
evidence one of Gibson’s, um, bright ideas in the form of an
adjustable rosewood bridge. This system has its detractors,
but it contributes a tighter, snappier edge to the tone that
we think is rather pleasant.
Not much
to report in the way of repairs: there’s a long since
repaired crack on the back, the typical Gibson lacquer crazing
and an endpin jack fitted, otherwise this is a fairly
unmolested instrument.
A
period correct Gibson case is supplied.
£2950
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 Gibson
LG-2 c1962
It’s
pretty much like my bus route: you can wait for ages for a
1962 cherry Gibson, then two of them turn up at the same time.
The LG-2 was Gibson’s top of the range small-bodied guitar
from the mid 40s to early 60s and, unlike its ladder-braced
siblings in the LG family, is basically a J-45 in miniature.
It’s incredibly light, with the classic tall, narrow
bracing. Again we get the quirky adjustable bridge, this time
with an original ceramic saddle. Gibson LGs make excellent
all-rounders, well suited to strummers and pickers alike with
a bright treble and warm, thumpy bass.
This
one is in near perfect preservation: no repairs or
modifications anywhere and only the Gibson Humpty Dumpty lacquer
effect betraying its forty-five years. LG-2s are also
for our money the last truly affordable classic from the
Gibson oeuvre, and at two-thirds the cost on an identical J-45
this is a great value instrument.
£1995
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2005 Gibson
Historic Series Advanced Jumbo
Gibson’s answer to the D-28 and a fantastic instrument it is too.
Basically a deluxe J-45 with Rosewood back and sides replacing the
usual Mahogany, and elegant pearl inlays to the fingerboard and
headstock. For reasons best known to Gibson this model only lasted
for a few years on its original release and, despite occasional
limited reissues from the Montana factory that are always eagerly
received, this lovely model is currently once again unavailable. But
do not fear – we have one! Lustrous tobacco sunburst revealing a
gorgeous cross-silked top, Thirties style script logo and a Historic
Series logo to the rear of the headstock. Immaculate condition and
with its original Gibson branded case.
£1799
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Gibson A-1 c1940
If
you’ve ever wondered why Gibson have such a good reputation
for mandolin making then you really need to try this little
fellow. No other major manufacturer has managed to capture
that percussive yet melodious chime that old Gibsons do so
well, and this little sweetheart has it in bucket loads.
Generally
the condition is very good: a couple of hairline cracks in the
top, one of which is only in the lacquer, but remarkably little
crazing to the finish and a good healthy arch to the top. The
celluloid scratch-plate has suffered some disintegration but
has managed to cling onto the instrument, and is now tucked
away safely in the mandolin’s original soft shell case. The
case itself is usable but showing its age.
£1095
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c1970 - 71 Gibson J50
Deluxe
An old war horse this one:
lacquer crazing to sides and neck, a refinished back and pick
marks a-plenty on the top. A few repairs as well, with a
cleated top crack (well away from the main X), a repaired
split in the bridge, replaced tuners and the world's ugliest
jack socket lurking underneath the strap button.
Well, that's the bad news.
The good news is that this is a very sweet sounding guitar
from what is otherwise considered a difficult period for
Gibson. Not as loud as a Martin dreadnaught, but warm and
plummy and dark. It's also half the price of a clean example,
and if you're looking for a gig-worthy, vintage Gibson for not
a lot of money this one would be well worth checking out.
£999
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  SJ150
inc. hard case.
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  Blues
King inc. gig bag.
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Instruments,
now sold, that have previously graced our walls:
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Gibson TG-1 c1928
First up in a series of new and old tenors we have on their
way to us is a gorgeous little Gibson from the dawn of the
company's illustrious flat- top making career. Although the
TG-1 is essentially a 3/4 size version of the same year's L-1
design, Gibson chose to upgrade the tenor version by adding
their mid-line pearl banjo headstock facia and, more
importantly, a feather-light X brace supporting the Adirondack
Spruce top. Condition is excellent - a little pick wear to the
top but all original and no cracks to be found anywhere.
Tonally these little Gibsons
could well be the best there is: sweet and warm with a
harpsichord like chime when playing chords. A rare and
beautiful thing that shows perfectly why modern players are
rediscovering these elegant little instruments.
The
original Gibson case is supplied.
SOLD
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 c.
1953 Gibson ES125
Gibson's
entry level jazz box throughout the 40s to the 50s and, if
you're after the full, mellow tone of a 50s Gibson jazz
guitar, can live without a cutaway and don't have the
requisite £5000 plus for an early 50s ES-175, this is going
to be the one to look for. The acoustic tone is sweet and
lively, if a little quiet in comparison to a carved top
guitar.
The
guitar has suffered a (long since reglued) loose treble side
brace, resulting in a small amount of table sinkage. It's not
particularly noticeable, and there's no risk of it getting any
worse. It also looks as though a previous owner has learned
the hard way that it's a good idea to loop the end of your
lead through your strap to avoid any disasters when you step
on the lead mid solo - the jack input is mounted into an
oversized plate that hides a missing piece of mahogany where
the jack was originally mounted. Other than that, the usual
Gibson lacquer checking and a set of decent replacement tuners,
condition is good and it's set to go many more years into the
future. £999
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  F-9
mandolin inc. case. SOLD
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J50 inc. hard case. SOLD
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c1939 Gibson L-00
We've always had a soft spot
for Gibson's small body guitars, and this one is the real deal
- a lightly braced Adirondack spruce top with mahogany back
and sides, that very sexy fire-stripe pick guard, big V
profile neck and a warm, mellow sound that perfectly counters
the bright crispness of Martins of the same era.
There aren't too many of
these about on this side of the Atlantic, and unfortunately
this one was torn from our hands before we'd even had a chance
to hang it on the wall, but rest assured we will leave no
stone unturned in finding you more examples of these wonderful
little beasties.
SOLD
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c2001 Gibson Custom shop
Nick Lucas signature reissue
The Nick Lucas was a fancy
sister model to the venerable L-00 model, sporting a highly
figured maple back and sides in place of the usual mahogany,
and the body is substantially deeper than the L-00, making
this a surprisingly loud guitar for its diminutive
proportions. Cosmetic upgrades include multiple binding,
elegant pearl inlays and the custom shop logo gracing the back
of the headstock.
Excellent condition - there
are three small impact marks in the lacquer on the soundboard,
the cause of which we can't begin to imagine, but otherwise a
very clean example. Fitted with an excellent sounding Headway pickup
by Roger Bucknall of
Fylde guitars.
SOLD
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  SJ200
inc. hard case. SOLD
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